The final episode of Breaking the Set discusses the power of grassroots organizing in getting the FCC to uphold Net Neutrality, speaks with DC Ferguson organizer Eugene Puryear about how to sustain effective activism and reminisces with BTS producer Anya Parampil about the show’s most memorable moments – from Piers Morgan denying censorship to Nestle’s personalized video response to BTS. Abby … Read More
Computer prodigy Aaron Swartz should have been celebrating his 28 years over the holidays. Yet nearly two years ago, he tragically took his own life. He was the target of a merciless witch-hunt by the Department of Justice, ultimately choosing death over 35 years behind bars for the crime of releasing information. As someone who transformed the way we all use … Read More
Robbie Martin talks to Cullen Hoback, privacy advocate and creator of Terms and Conditions May Apply, a must-watch documentary about digital privacy rights, corporate/government spying collusion and the data mining economy of corporate surveillance. Terms and Conditions May Apply premiered a few months before the world learned Edward Snowden’s name. Following the leaks, Cullen’s thesis was emboldened, so he added … Read More
Abby and Robbie Martin discuss the potentiality of an ‘Occupy Silicon Valley’ protest movement in a similar mold to ‘Occupy Oakland’ taking place in California’s San Francisco Bay Area. They address the ethical issues revolving around tech-companies like Facebook, Google, Apple, Microsoft, Soundcloud and debunk the notion that private corporations will install privacy safeguards on their own without the pressure of … Read More
Two weeks ago, an internal Federal Communications Commission (FCC) memo was leaked, calling to remake today’s neutral Internet into a ‘pay to play’ system like cable TV. If set in motion, these rules would abolish the Internet’s longstanding the concept of Net Neutrality, or nondiscriminatory access online. After the document was leaked, hundreds of thousands of Internet advocates flooded the … Read More
