Art is a Reflection of the Soul – Abby Martin Speaks at the Zeitgeist Media Festival

killinghopeArt is not just about catharsis, self-expression, and relaying powerful messages through symbolism – it also entails our imagination to mold art in its most natural form. By actively engaging with each other and harmonizing with the earth, we can cultivate a better path for future generations.

The Zeitgeist Media Festival is an annual event that bridges art and activism together in order to inspire and unify alternative communities. Being both an artist and activist myself, it was an honor to relay my political beliefs and artistic philosophy to such an open, energetic crowd.

Abby

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Abby Martin at the 2013 Zeitgeist Media Festival 

http://zeitgeistmediafestival.org/

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Omega Point: Abby Martin on the Artist’s Task

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Follow me on twitter @AbbyMartin, check out my art at http://abbymartin.org/

Moby: Make Information Free & Stop Punishing Piracy

MobyFlickrJustinWiseIt’s not often you find a Grammy Award-nominated musician on the front lines of political activism. One of those exceptions simply goes by the name Moby.

The L.A. based electronic musician spends every iota of his free time making it count. When he’s not making music, he’s promoting music therapy as a board member of the Institute for Music and Neurologic Function.

He’s also taken Washington to bat, by testifying on the Hill about Net Neutrality and standing up to the ever powerful Recording Industry Association of America or the RIAA.

Recently Moby sat down with Abby Martin on Breaking the Set to discuss the problems with making piracy illegal, and why the freedom of information is so important in today’s digital age.

MR

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Moby Breaks the Set on the Freedom of Information

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AM: What is the corporate music industry’s biggest failure?

MOBY: I think one of the biggest failings is that music business and record companies have treated listeners terribly for a long time. Overcharging for CDs in an era of CDs, and punishing people for downloading music, and basically trying to make people feel guilty for listening to music. I just think it’s created a very sort of strange and very unhealthy climate around the release of music.

AM: You’ve also stood up to the Recording Industry Association of America and called for the group to be disbanded in 2009 for its two million dollar lawsuit against a mother who illegally downloaded music. What prompted you to go after the RIAA?

MOBY: The whole reason I make music—and maybe I’m stating the obvious—is because I love making music and I love the idea of people listening to the music that I’ve made. The idea of punishing the audience, even if they’re downloading music illegally, I don’t think and audience should be punished, nor should the RIAA take litigious action against soccer moms who are just downloading music because they want to listen to it. It seems very self-evident to me that if you’re trying to generate goodwill, suing the people who are ultimately patronizing your business is not the best way to go about that.

AM: Let’s talk about your new album “Innocents”. Why did you choose that name and how is it different from your previous work?

Moby: I’m going to try and not give a long-winded self-involved grad student answer, ‘cause I’m really good at long-winded, self-involved grad student answers…but when I was in college, I was a philosophy major and I’d just been obsessed with the simple question of: What does it mean to be human in the Universe that’s 15 billion years old? What significance do our lives have? And when I look at our collective response to the human condition, I see a lot of confusion, a lot of fear, a lot of sadness, and–in a strange way–a lot of innocence, ‘cause the truth is none of us really know what we’re doing. You know, we might put on a brave face when we go out in public, but at the end of the day we all get old, we all die, we’re all confused, and I feel like, collectively, even though at times we’re not necessarily doing the best things, we still have a quality of innocence to us and that’s what the title of the album comes from.

AM: And you’re also—this is really fascinating–you’re a board member for the Institute for Music and Neurologic Function, which studies the effects of music on the brain. Talk about this. What have you learned as part of that organization, and how can music be used in therapeutic ways?

MOBY: Well, it’s funny ‘cause I’ve dedicated my life to making music, and I always thought music was something I loved and was really fun, but I never thought it actually had anything beyond a very sort of frivolous utility. Dr. Oliver Sacks and Dr. Connie Tomaino are two amazing brain neuroscientists and they started this institute for Music and Neurologic Function. What they’ve seen is that music is a remarkably powerful healing modality. When I talk about the sort of healing effects of music it almost sounds like I’m indulging in hyperbole, but it’s truly miraculous. People who are aphasiac, who’ve had strokes, when they listen to their favorite music from childhood, even if they’ve lost the ability to walk or speak, they can still dance and sing. I know that sounds like the most absurd claim, but Dr. Sacks and Dr. Tomaino have documented this and they’re going before Congress to try and get more money for music therapy because really it is phenomenal healing. The only problem is it’s hard to make money from it, so clearly the pharmaceutical companies aren’t too thrilled about a non-profit powerful healing modality.

AM: I know that you testified in front of Congress in 2006 about Net neutrality. When are you going to get out there and testify about the music therapy?

MOBY: Hopefully soon. The funny thing about talking about music therapy is you don’t have to convince anyone of its power. All you have to do is say ask anyone how they respond to their favorite song. If you even right now think of your favorite song you could almost feel like a physiological and neurochemical change, and the truth is, it’s a real change. It promotes healing and it decreases stress hormones like norepinephrine, and adrenaline and cortisol, so in the future I think people will look at music not just as something fun, but as a really, really powerful healing modality.

AM: It’s also a revolutionary tool, which is why it’s such a travesty that it’s the first thing cut from public education; music and arts. I mentioned that you did testify in front of Congress about net neutrality. Let’s talk about that. What did you tell them back then, and are you worried about the current circuit court lawsuit that could entirely abolish the concept?

MOBY: Yeah. I was a little bit confused, because in 2006, and now, the Internet seems to be working fine the way it is. I don’t understand the idea of—to an extent and very broad terms—privatizing the Internet, when it’s this fantastic, egalitarian, granted chaotic, but democratic institution that serves everybody equally. So when you have these big corporations who want to get involved and try to monetize it and privatize it; I just don’t understand why they would mess around with something that works so flawlessly the way it is.

AM: How much do you think the music industry is a part of that push? I mean, we know that SOPA was obviously trying to implement a lot of seizure on net neutrality as well.

MOBY: In some ways I’m the wrong person to ask, because I love what I referred to as, the democratic chaos of the Internet. I love the fact that it is strangely self-regulating; it kind of polices itself, and I’ve also been a life-long member of the ACLU, so, I’m just a huge proponent of the free and uninhibited dissemination of information.

AM: I love that about the militant egalitarian method that the Internet started out as, and unfortunately we are seeing that going by the wayside. It’s really important that we cement that notion quick. Let’s talk about another thing that the ACLU is really big on, Chelsea Manning. You are also part of the I Am Chelsea Manning Video a few months back. Why is this case so important to you?

MOBY: It’s a tricky thing to talk about, because I’m a musician,  I live in L.A., so, if I worked for the NSA or had worked for the NSA, I might have a different perspective—but it seems like sometimes governments, including our own, are interested in restricting information, because it is actually sensitive and to disseminate it would be compromising. But other times governments almost restrict information either because it’s embarrassing or it’s just a knee jerk reaction. You know, this feeling like it’s their job to restrict access to information, and that’s why I thought the Chelsea Manning case was so important, because she was drawing attention to the seemingly arbitrary way in which the government was trying to restrict access to ostensibly classified information.

AM: It’s also a crime to over-classify. We see things just being classified just for the sake of classifying them. Of course, we know that no one was actually hurt by the release of those documents. What are your thoughts on other whistleblowers in the public spotlight right now, like, Edward Snowden?

MOBY: Again, it’s tricky because everything I say has to be qualified with the caveat that I am a college dropout, and I make music and I live in L.A., so, my opinions are vaguely informed at best. But I’m just a fan of openness and I can’t think of too many instances where airing on the side of openness has done harm. In fact, quite the opposite. We live in a culture where it’s becoming increasingly difficult for anyone to restrict access to information which, personally, I think is great. I’d much rather have a few instances where potentially sensitive information is released, but as a result you have so much information that the public benefit is released as well.

AM: You keep saying that your opinions are vaguely informed at best. You’d be shocked at how uninformed Americans are. I think it’s very important to voice your opinion because you wield a lot of influence in this industry, and it’s unfortunate that others don’t. Why do you think that not other musicians and entertainment people speak out about these issues?

MOBY: I think probably because they’re getting much better advice than I am, because what I’ve found is by being an opinionated loudmouth as I am, I do often times run the risk of alienating a lot of people. So, I think that a lot of musicians, actors, whomever, are getting good management-career advice, and their managers are saying, “Keep your opinions to yourself ‘cause you’ll sell more records.” I unfortunately never got that advice, and I was raised by progressive hippies who told me that if you have the ability to reach people and communicate, you might was well try and say something that has some value or some merit to it. Or at least try to do so.

AM: I agree with your parents, Moby. Let’s talk about veganism. You’re a vegan. You even released a book critiquing the modern meat industry. What lead you to the decision to practice veganism, and what are your biggest frustrations right now with factory farms?

MOBY: I’ve been a vegan now for 26 years, and an animal rights activist for about 30 years, and what informs my veganism and animal rights activism is pretty simple. I love animals and I don’t want to be involved in any process that contributes to their suffering. I guess looked at objectively death is inevitable, but suffering isn’t. I think that we have the ability to treat other creatures with respect and dignity and ameliorate their suffering, and I just wonder why we don’t make more of an effort to do so. Why collectively we’re comfortable to contributing to the suffering of—literally—tens of billions of creatures who are all incredibly sensitive. I think it was I think it was either Albert Schweitzer or Einstein said the questions isn’t ‘Do animals have an intellectual life?’, the question is ‘Do they have an emotional life?’, and anyone who’s ever been around animals knows full well animals have incredibly profound emotional lives, are incredibly sensitive, and I just feel like it’s incumbent upon me and hopefully the rest of us to sort of like decrease the amount of suffering we cause while we are alive.

AM: Right, and we’re so detached from the food that we eat and I think that if people really saw the suffering they would be absolutely horrified. The food industry has so much autonomy, so much political influence. I mean, just look at Monsanto alone. How could we ensure that the food we are eating is safe and not destructive to the environment and doesn’t contribute to the suffering of creatures?

MOBY: When we put out the movie “Gristle”, which is about factory farming, I was asked that question. What one thing could we do that would make factory farming either go away or become a lot better, and one thing would be end subsidies to meat production, ‘cause meat production—and I’m not even saying people shouldn’t eat meat–but I’m just saying the production of meat decimates the animals, it decimates the workers, it decimates the communities, and the end result is a product that causes diabetes, arteriosclerosis, heart disease, obesity, etcetera. So, just end all subsidies to it and let meat actually cost what it should cost. Truth is, without government subsidies, a pound of hamburger would cost around thirty dollars. And I have a feeling if you just let meat cost what it should cost, all of the sudden you see people eating a lot less meat.

AM: Very well put. Totally agree. Thank you so much for your input on that, and so much more. Moby, artist, activist; really appreciate you coming to the studio.

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Transcript by Juan Martinez, Photo by Flickr User Justin Wise

Samsara, Baraka – Visual Masterpieces

Samsara and Baraka are both inspiring, visually stunning cinematographic masterpieces. Everyone on the planet should take the time to watch them.

Filmed over nearly five years in 25 countries on five continents, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.

Abby

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Samsara from Kamala Queen on Vimeo.

This film is a follow up to an epic documentary called Baraka. Originally shot in 25 countries on six continents, Baraka brings together a series of stunningly photographed scenes to capture what director Ron Fricke calls “a guided mediation on humanity.”

Baraka

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MR Poetry – ‘Cut the Apron Strings’ & ‘Island’


MEDIA ROOTS – Amateur writer Rutger B. Devon offers these two original, uplifting, lyrical and political poems for activists and lovers of freedom and independence from his forthcoming, debut book of both verse and prose.

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Cut the Apron Strings is a strong, no-holds-barred manifesto. It is a call-to-arms for people to do just what the title implies, to remove one’s self from the welfare and control of “the establishment” and become one’s own keeper. It opens up with a list of a handful of the financial, political, psychological and technological caretakers of modern society–all of which have had a hand in the degeneration of Western civilization, and some of which have committed explicit crimes against humanity and the environment.

The poem serves as a boycott short-list in this regard, but it moves beyond to suggest other actions that are necessary for the restoration of human civilization, such as the much needed reconstruction of our cities. The door to achieving a better society is momentarily flown open for the reader; and in the hope that they will go in the direction introduced to them, they are presented with a synopsis of humanity’s most pertinent objective, to produce a sustainable culture which cultivates the growth of the individual and collective while justly mediating ideological conflicts and disputes of law with respect to everyone’s liberty. Enjoy.

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Cut the Apron Strings


Cut the apron strings.

Stand on your own two feet.

Bite the hand that feeds.

Start to fend for yourself.

Begin to fight for yourself.

Stand on your own two feet.

Bite the hands that feed you and me.

Get ready to start to defend yourself

From the UN, World Bank and IMF.

Monsanto, MSNBC, BP, JP Morgan Chase,

HP, Wells Fargo, Citibank, Bank of America,

Lockheed & Martin, Google, Halliburton, Toyota,

Boeing, Associated Press, CNN, BBC, News Corp.,

Valero, Time Warner, Walmart, Target, Verizon,

AT&T, IBM, Microsoft, Apple, CVS, Exxon,

Chevron, Ford, GM, Shell, GE, Merck, Honda,

Bayer, Berkshire Hathaway, Johnson & Johnson

Hyundai, McAfee, Fannie Mae & Freddie Mac,

And the Federal Reserve don’t deserve

Someone as marvelous as you

To be their willing slave,

My dearest love.

 

Dismiss any legislation passed without a vote.

Refuse taxation without direct representation.

Nullify appointed juries and kangaroo courts.

If you don’t take an interest in politics,

Politics is still very much infatuated with you.

It has you under a constant surveillance

Like an obsessed, neurotic stalker.

Everyone must practice activism.

You can’t compromise with evil

And expect something greater.

Don’t accept the federal fraud

Or the demented status quo.

Do not heed The King’s decrees

And his executive orders.

Shrug off the monarchy

And oppressive hierarchy.

Fragment the plutocracies.

End the corporate collusion

And the military-industrial complex.

Eliminate government bureaucracy,

And truly know what it means to be free.

 

Cut the apron strings.

Stand on your own two feet.

Bite the hand that feeds.

Begin to fend for yourself,

And start to defend yourself

From the UN, World Bank and IMF.

Monsanto, MSNBC, BP, JP Morgan Chase,

HP, Wells Fargo, Citibank, Bank of America,

Lockheed & Martin, Google, Halliburton, Toyota,

Boeing, Associated Press, CNN, BBC, News Corp.,

Valero, Time Warner, Walmart, Target, Verizon,

AT&T, IBM, Microsoft, Apple, CVS, Exxon,

Chevron, Ford, GM, Shell, GE, Merck, Honda,

Bayer, Berkshire Hathaway, Johnson & Johnson

Hyundai, McAfee, Fannie Mae & Freddie Mac,

And the Federal Reserve don’t deserve

Someone as marvelous as you

To be their willing slave,

My dearest love.

 

Dam the source of your strife.

Denounce white-collar criminals

And mooching investment firms.

Free yourself from the leash

Of dependent subsidy leeches

And usury loans twisted by greed.

There are sharks in these waters

That’ll kill for an arm or a leg,

And the sunbathers along the shore

Are sleeping with their heads buried.

Society’s undertow is drowning you,

But the lifeguards are taking bribes

And have their camera phones aimed.

The coastguard is turning a blind eye,

‘Cause they’re getting favors from D.C.

To let the predators occasionally feed.

They need to fill the private prisons

And maintain good public relations

With their indispensable cronies.

 

It is disgusting.

We must eliminate these silly

Shallow superficial divisions

And prejudices and stereotypes

Of race, class, creed and gender,

Sexuality, nationality and temperament

Exploited by the Fascist establishment

And enforced by the likes of you and me.

We must not teach our children to hate.

We must not let dictators defeat us.

We must unite as one universe

Together in common defense

As an immovable monument

Of eternal vigilance against

A malevolent, unstoppable force.

 

Act locally; think globally.

Live to achieve your dreams.

Keep a well-trained militia

And keep yourself physically fit.

Connect with your community.

Control your means of survival.

Grow crops not lawns, and

Never purchase on credit.

Never allow the politicians

To disarm the innocent

Or subject us to duress.

Promote the organic scene

And animal liberation.

Keep the money circulating

Within your own town.

Be kind, polite and courteous.

Isn’t that what you want in return?

You must learn your inherent rights

And understand our natural liberty.

We need to inflate the food supply

And become self-sufficient

And live within our means.

But most of all,

Try your best.

 

It is our duty

To reconstruct

These crumbling cities

Which are degenerating

Into slums and ghettos

And sores on Earth’s arse

All around all of us.

These massive towers

And winding highways,

Once proud displays

Of human ingenuity

And determination,

Are now stifling cages

Of concrete and steel.

They’re sickly landfills

In dire need of repair.

No longer flourishing cradles

Of Human Civilization

Bright with opportunity

And limitless potential,

They must be rebuilt

In synergy with nature

Like they should have been

To begin with.

 

It is up to the few of us

 To expand the use of clean energy

With wind, solar, water and biofuel,

To construct a sustainable society,

And produce a profitable future

For our grandchildren’s children.

Don’t leave them with our garbage.

Rediscover principled morality.

Propagate a functional culture.

End war, violence and torture.

Let there be Justice, friends.

Let it not be just us or them.

Help everyone meet their needs

When you can afford to spare a meal,

But don’t be reduced to a doormat.

Refuse to accept double standards.

We must practice civil disobedience

And constantly test our intelligence.

Push the borders of your comfort zone.

Act with a measured reluctance.

Defend our inalienable rights.

Impeach tyranny’s advocates

And evict draconian delegates

To find Peace and Liberty

No longer shy outcasts.

 

Respect the freedom of the living.

Exercise the privilege of humanity.

Be the change you wish to see.

Dissect the beliefs of your time.

Be critical of traditions and trends.

Hold individuality above conformity;

Never trade liberty for security.

Inspire greatness and achievement.

Guard our precious environment.

Love and protect your neighbors,

And help to raise up the inferior.

But it’s not necessary to carry

Their burden on your shoulders.

Your conduct is the whole of the law.

Inform everyone with what you know,

And make the effort to educate yourself.

You don’t ever have to be afraid of the truth.

For in truth, there is might and strength.

Every day is a mission of volition

To achieve your soul’s goals

And motivation.

 

You are only inches away

From reaching self-actualization,

But you have lost your identity

Under the weight of this nation.

And the repeated indoctrination

Has left you demoralized.

And your plasma television

Has frozen your imagination.

There is always time to repent

And to alter your course.

Open your eyes and see the light.

You don’t have to march with the crowd

Into hell to the rhythm of mob rule.

You never have to be a sacrifice –

A lamb to appease the “Greater Good”.

Don’t give them permission to rob you

Of your will, rights and property.

You don’t have to accept slavery

Or living in substandard conditions

In a substandard existence.

You can cast off the tyranny

Of a trained and accepted hypocrisy.

You can cast off the lead chains

Of cognitive dissonance,

And you can put in alignment

Your thoughts, speech and actions

And be sovereign like the rest of us

And help us craft a new civil model

Of benevolence and happiness.

But no one is forcing you to.

 

You just have to

Cut the apron strings,

Stand on your own two feet,

Bite the hand that feeds,

Begin fending for yourself,

And start defending yourself

From the UN, World Bank and IMF,

Monsanto, MSNBC, BP, JP Morgan Chase,

HP, Wells Fargo, Citibank, Bank of America,

Lockheed & Martin, Google, Halliburton, Toyota,

Boeing, Associated Press, CNN, BBC, News Corp.,

Valero, Time Warner, Walmart, Target, Verizon,

AT&T, IBM, Microsoft, Apple, CVS, Exxon,

Chevron, Ford, GM, Shell, GE, Merck, Honda,

Bayer, Berkshire Hathaway, Johnson & Johnson

Hyundai, McAfee, Fannie Mae & Freddie Mac,

And the Federal Reserve’s mercenaries.

These senseless tyrants don’t deserve

Someone as marvelous as you

To be their willing slave,

My dearest love.

 

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Island is more of a sensational poem meant to be enjoyed by those who are already trying to “cut the apron strings”. It is intended to offer a moment of relief and affirm the goals of those trying to escape the chains of this culture of dependency. It glorifies self-sufficiency and the homestead lifestyle, focusing not so much on the toil and labor as more the feeling of freedom, real security, and self-worth that is granted by relying on one’s own competence. The title is a reference to the novel of the same name by Aldous Huxley, but it is not much more than an emotive backdrop for my poem, not alluded to outside of a mention of the Mynah birds from the novel. In the end, this poem is more a celebration of a new beginning than the accomplishment of an end. Thank you for reading.

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Island

 

The sun rises

Over wide horizons,

Kissing our rested eyes

With soft, tranquil lips

Through the windowpane

Shrouded in a vine’s shade,

And the shadows cast by

Droplets on the stained glass

Do a shimmy, shake and dance

Across the plain, open face

Of our complex countenance.

It is our time to shine at last

With all of the angels and stars.

It is our time to take a stand

With our heads raised up high

And our feet firmly planted.

The primroses are blooming.

The air is warm and welcoming,

And the trees’ hips are swaying.

It’s a new day for you and me.

It may seem surreal,

But it is so real.

Can you believe it?

 

The gentle gesture

Of a silver zephyr

Stirs in the Spring leaves

Like fingers through your hair,

And it whispers in your ears.

It tells you: “You need not fear,

For Danger is nowhere near

When heaven is here.”

And heaven is here.

Though we are only

Just now beginning,

This is our Eden.

Where we’re at,

Peace is here to last.

We have all that we will ever need.

 

The gentle gesture

Of a silver zephyr

Stirs in the Spring leaves

Like fingers through your hair,

And it whispers in your ears.

It tells you: “You need not fear,

For Danger is nowhere near

When heaven is here.”

And heaven is here.

Though we are only

Just now beginning,

This is our Eden.

Where we’re at,

Peace is here to last.

We have all that we will ever need.

 

The aroma of a hot meal

Lingers thick in our home,

And the hens greet the morning

With the starlings’ singing

Their favorite symphony.

A party of butterflies

Flutter above the corn stalks,

And a lone calico cat stalks

Beneath the blueberry bushes,

Catching thieving mice and rats

Near the rice and cabbage patches.

Every exhilarating breath we take

Fans the flames in the engines of our hearts.

To think it all stems from a simple seed

And grows into this forest of orchards and reeds

To feed us and more is a mesmerizing thing.

Everywhere is a groovy sight to see,

And clouds hover above the apple trees.

Frogs hop from their pads into the pond.

Deer trot from here to there every now and then freely,

And the whole wide world is impassioned with sound.

Can you imagine all of the sublime joy we’ve found,

Encapsulating us in this little paradise

Constructed through our competence?

 

The gentle gesture

Of a silver zephyr

Stirs in the Spring leaves

Like fingers through your hair,

And it whispers in your ears.

It tells you: “You need not fear,

For Danger is nowhere near

When heaven is here.”

And heaven is here.

Though we’re only

Just now beginning,

This is our Eden.

Where we are at,

Peace is here to last.

We have all that we will ever need,

And today will always be our day.

 

A black cloud may come our way.

A heavy rain may fall on our parade.

An icy frost may settle in the valley.

An odd occasion may bear its ugly face,

But don’t let these things lay waste

To your spry hopes and dreams.

We’re prepared for the worst.

There’s no need to worry.

Just always remember

That sometimes

The sky needs to cry

To let the flowers grow.

Sometimes,

We all need to cry

And let our minds go

If only for a moment

To allow all of the snow

To melt away real soon,

Helping the rivers flow.

With the passage of time

And the warmth of hearts,

All of these prison walls

We built to fence us in

Will come crumbling down,

And all of our tender wounds

Eventually scab over

And heal.

 

I

Want to see you

Be happy.

I’ll

Build us

An oasis

On this

Galactic isle

With these weathered hands

And these fertile, cultivated lands.

With an open, educated mind

And honest, virtuous conduct,

We are incredible and invincible.

The unity of our character

Is our shield and armor.

Resonating in harmony

With goodwill protects us

From today’s many vampyres,

And all of our reformations make us

Impervious to yesterday’s skeletons.

With solidarity, justice and trust,

We are safe from tomorrow’s ghosts.

This freedom is our victory.

Our sorrow is empathy.

There is no shame.

There is no shame.

There is no shame.

We can all stand tall.

Stand tall! Stand tall!

Stand tall and proud!

Let it be heard loud

How you dare to be

A Human Being.

 

For now,

Let us enjoy

These beautiful moments,

Woven into a tapestry

From a raw reality,

While they last.

Let us be grateful

For our many blessings.

It is all so enchanting

And worth savoring.

The grape ripe on the vine

And the crop ready for harvest

Shimmers with success,

And all down the lines and rows

Of soy, tomatoes and potatoes

Is hard-pressed ingenuity

Bearing the fruits of our labor

And nature’s many favors.

This is what we are made for:

Strawberry fields forever

And bountiful Novembers.

Happiness is the glamour

Of autonomy and good fortune –

Our well-earned reward.

Satisfaction is the declaration

Of a self-fulfilling, honest living,

And there is no need to mourn.

For we have done all we can

To help everything survive.

In freedom, we are thriving,

And we are always striving

To do better – to do better.

To do better next time.

Next time.

Next time,

It’s our time

Now.

 

The gentle gesture

Of a silver zephyr

Stirs in the Spring leaves

Like fingers through your hair,

And it whispers in your ears.

It tells you: “You need not fear,

For Danger is nowhere near

When heaven is here.”

And heaven is here.

Though we are only

Just now beginning,

This is our Eden.

Where we’re at,

Peace is here to last.

We have all that we will ever need,

And today will always be our day.

Tomorrow will always be brighter

In every single possible way.

 

As morning turns to dusk

And the sun begins to set,

We’ll lounge in leisure,

Relaxing next to the fire.

We’ll reflect with pleasure

On this wild adventure

We are all experiencing.

There’s an entire world

For us to explore.

How can it be ignored?

Basking in the glory

Of pleasant memories,

We’ll laugh and smile

Free of anxiety,

And we’ll talk of the future

With imaginative caprice

For the present is conquered.

We have a solution to every problem.

We are limited only by our own wills,

And we are only just now beginning

To awaken to our full potential.

Listening to the Mynahs sing

Of the liberated and immortal,

We have cut the apron strings

And escaped the immoral coils.

We’re encapsulated in love forever,

Like two fireflies saved in amber.

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‘Cut the Apron String’ & ‘Island’ Original Poetry & Photography by Rutger B. Devon

http://rutgerbdevon.wordpress.com/

 

Superman Stands Up to the Corporate Media

MEDIA ROOTS – Standing for “truth, justice, and the American way” just took a giant leap into the twenty-first century with Clark Kent leaving the Daily Planet newspaper. In next week’s issue, to be released by DC Comics, Clark is expected to stand up in front of staff and mourn how mainstream “journalism has given way to entertainment,” according to the comic’s writer Scott Lobdell. He continues to explain how the superhero’s alter ego will now “start speaking an unvarnished truth” possibly by creating an independent outlet similar to that of Drudge Report.

This could be a huge, albeit indirect, opportunity to support independent news outlets such as Media Roots. Or it could be just another way for the establishment to mislead the public into thinking comic books will become a new frontier for reliable information. A current example of how the corporate entertainment industry poses as a source for reliable news is The Daily Show, whose host is one of the twenty most influential media personalities now influencing this year’s presidential election.

Clark’s decision is still worthy of note in that a fictional superhero is acting on a crisis that is affecting the citizenry every day. This is not the first time in recent history that Superman has stood up for contemporary political issues. Just last year, he threatened to renounce his U.S. citizenship before the United Nations because of he was tired of his “actions being construed as instruments of U.S. policy.” While he didn’t actually renounce, the episode created heated discussion among both supporters and dissenters of America’s modern role in the global community.

The depth of Clark Kent’s future investigations will ultimately underscore this impact on modern society. Will he highlight the numerous questions that still surround 9/11 or feature Obama’s current war on investigative journalists? Possibly he will investigate the role hedge funds have played in the still-occurring financial collapse. Only time will tell, hopefully before it’s too late.

Oskar Mosco for Media Roots.

Image provided by Flickr user istolethetv.

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